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Oblivion

by Ash Code

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  • Compact Disc (CD) + Digital Album

    Ash Code first album

    Includes unlimited streaming of Oblivion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    Ash Code second edition of the first LP - Icy Cold Records

    Includes unlimited streaming of Oblivion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 500  3 remaining
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      €24.90 EUR or more 

     

  • Signed CD (2nd Press)
    Compact Disc (CD) + Digital Album

    The second press of the Ash Code first album.

    Includes unlimited streaming of Oblivion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Void 01:16
2.
There was a time in which we cried with no why And in a sort of dream we laughed for a long time Escaped from our bodies, out of a box We took different directions after all Everything I know... we're waves with no shores Ready to clash ... ready to crush Everything I know... we're waves with no shores Ready to clash ... ready to crush Your voice still resounds in my head like a horn, I live in apnea in this terrible sorrow, But the more you hide your feelings the more you will fall Same minutes, same hours, turn back the clocks Everything I know... we're waves with no shores Ready to clash ... ready to crush Everything I know... we're waves with no shores Ready to clash ... ready to crush Everything I know... we're waves with no shores Everything I know... we're waves with no shores Everything I know... Everything I know... Everything I know... Everything I know... Everything ... Everything ... Everything I know... we're waves with no shores Ready to clash ... ready to crush Ready to clash ... ready to crush Ready to clash ... ready to crush
3.
No way No way... I can't stand this affection The greatest fear is crossing time with no weight Now there's no way to understand the actions These words are for what will never gonna be She said " I do not miss that life" She said "Please, dry your eyes" No way No way.I can't stand this direction We keep our hands deeply in the dirt We are not the same, hold off your obsessions You're nothing to real, nothing to me She said " I do not miss that life" She said "Please, dry your eyes" She said " I do not miss that life" She said "Please, dry your eyes" She said " I do not miss that life" She said "Please, dry your eyes" She said " I do not miss that life" She said "Please, dry your eyes"
4.
I feel like crucified tonight. I need you I feel like crucified tonight. I dream of you I feel like crucified tonight. I miss you I feel like crucified tonight. I'm looking for you Please shake me... I suffer everything for real Please shake me... I suffer everything for real I feel like crucified tonight. I need you I feel like crucified tonight. I dream of you I feel like crucified tonight. I miss you I feel like crucified tonight. I'm looking for you Please shake me... I suffer everything for real Please shake me... I suffer everything for real Sometimes I wish I was alone Sometimes I wear a certain frown Sometimes I think slow Sometimes I don't know Sometimes I wish I was alone Sometimes I wear a certain frown Sometimes I think slow Sometimes I don't know
5.
Oblivion 04:02 video
It’s a very cloudy morning, I face my memories in a warm tea The heat blurs my eyes and I can't find my need So many regrets but I swallow my pride there’s no sound, there’s no time Oblivion...that’s my oblivion Every fucking morning I dive in a black sea Forgetting almost everything about the world around me Frozen in the moment with a joy inside I’m glad to be sedated I'm losing my mind Oblivion...that’s my oblivion
6.
In lost clubs at the end of the world We listened to unnecessary songs In lost clubs at the end of the world We listened to unnecessary songs Welcome back in the filthy medieval times Where nothing is created, it's all a tribute, not even a crime They eat the passive consumers like you are That's an addiction, what a creepy show In lost clubs at the end of the world We listened to unnecessary songs... I say In lost clubs at the end of the world We listened to unnecessary songs There are no brilliant ideas... just tries To build a cyborg, to deceive all the minds The art is removed by the rules of a dark age But now please burn down the stage In lost clubs at the end of the world We listened to unnecessary songs... I say In lost clubs at the end of the world We listened to unnecessary songs Songs Songs Welcome back in the filthy medieval times Welcome back in the filthy medieval times In lost clubs at the end of the world We listened to unnecessary songs... I say In lost clubs at the end of the world We listened to unnecessary songs We play songs, we write songs
7.
It's not easy to go, not easy today Time chasing me and I wonder why There are a lot of miles to race To satisfy my soul in this war Without you ...Without you ... Without you ...Without you ... It's like playing to an empty room That's my nature, what I keep inside I'm lying dead in a club tonight But I look through the eyes and screams To reconcile our souls in this war Without you ...Without you ... Without you ...Without you ... It's like playing to an empty room It's like playing to an empty room It's like playing to an empty room Playing to an empty room Playing to an empty room Without you ...Without you ... Without you ...Without you ... It's like playing to an empty room It's like playing to an empty room It's like playing to an empty room It's like playing to an empty room It's like playing to an empty room
8.
Drama 03:26
I know there is not much love I know there is too much pain And if you are crying don't be shy I know there is not much love I know there is not much love I know there is too much pain And if you are crying don't be shy I know there is not much love Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... I know there is not much time You live the life in sacrifice But if you are crying don't be shy I know there is not much love I know there is not much love I know there is too much pain And if you are crying don't be shy I know there is not much love Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... INSTRUMENTAL Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me... Hate me...
9.
Want 04:00
Swallow not to confess, I’m stretched under the stress waiting for someone to fall in my web I play on different scenes... you’ll see One day I will stop.... you’ll see WANT TO EAT YOU ...ALL I needed someone so I picked on you I’ll throw your life up from a low view I’m working on my faults... you’ll see One day I will stop.... you’ll see hey...are you still awake? WANT TO EAT YOU ...ALL
10.
Hey...there’s something familiar on these walls We are here, hanging in a limbo Down..smashing every step With no respect.. facing your own conscience “Don’t throw away yourself” Now is getting dark outside, It’s a city in disguise I’m running away from the grass, from the eriee parks Going down... crawling on the floor With mililon voices, asking for the end “Don’t throw away yourself” Please
11.
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13.

about

'Oblivion' is the first Ash Code's LP, 10 tracks, the sum of the first 6 months of life of the band born in January 2014.


“Residing somewhere between darkwave, post-punk and Batcave the Italians succeed in creating a charming niche with their debut album ‘Oblivion’...It remains mysterious how just a release produced in Italian summer is able to create such a terrific end of days atmosphere...”
(Sonic Seducer)

“Ash Code have successfully managed to blend the cold despair of the post-punk of the early eighties, with modern catchy sounds, and deliver with Oblivion one of the best darkwave albums of the year.” 94/100
(peek-a-boo)

“It’s impossible to do anything other than to play this CD over and over again on repeat—you wont be able to just listen to it once...Thus In stating all of this, the arc of suspense of this album deserves a solid 10/10.”
(Post-Punk.com)

“Un’ottima prova in stile “buona la prima” questo “Oblivion”, che testimonia ancora una volta che anche qui da noi c’è spazio vitale per sonorità che nel resto d’Europa stanno conoscendo una seconda (terza?) giovinezza e all’interno delle quali si stanno cimentando band italiche che, se debitamente supportate, possono recare lustro a tutto il paese.”
(Rockit.it)

“Le mélange de minimal et de darkwave produit par le groupe vise l’efficacité dans la qualité. Pas de temps mort, la boîte martèle d’emblée, lance le ton, les suites d’accords sont simples, étrangement familières…Claviers et basses se complètent, se renforcent dans leur progression mélodique; quant à la voix grave, faussement monocorde de Alessandro, elle ajoute une touche clinique dans l’organique ou d’organique dans le clinique si vous captez l’idée.“ 5/6
(Guts of Darkness)

“Oblivion non tradisce le attese e si rivela come un ottimo disco; 10 tracce tra Darkwave ed Elettro-Pop virato in nero, con tante potenziali hit per un sound che parte da Napoli e guarda a Berlino.” 8/10
(Ascension Magazine)

"Oblivion ist ein Debütalbum, das einen gespannt zurücklässt.” 8/10
(Ox Fanzine)

"Oblivion is just the beginning of Ash Code, and I am sure there is a lot more good to come from this band. Darkwave with hints of synthpop, catchy and tormented."
(Gothic-rock.com)

".. gli Ash Code prendono spunto dal passato per dare vita a un sound che risulta "fresco" e interessante...Un esordio col botto, con le potenzialità per far breccia nei tanti cuori oscuri della penisola e non solo." 7/10
(ondarock.it)

" Gli Ash Code si fanno portatori di un esordio febbrile ed inquieto, capace di tradurre il tema algido espressionista caro a certa poetica rock crepuscolare con l'abrasiva funzione del neo industriale.Seguiteli." 8/10
(Rumore)

credits

released October 15, 2014

Cover pic & Artwork by Sandra Roczeń

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about

Ash Code

A collage of darkwave, noise and electronic music with a solid drum machine. Dark ballads and obsessive beats, deep and melancholic synths, noise and distortions, arpeggiators and delays. Lights and shades. Dances of Death. Visions and theatricality. Coded ash. ... more

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